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Michael Armitage - between myth, memory and commentary

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Left: Mkokoteni, 2019  Right: The Promise of Change, 2018

Michael Armitage is a Kenyan-British artist known for his vibrant paintings that explore complex sociopolitical narratives. Born in Nairobi in 1984, Armitage‘s work is deeply rooted in the cultural and political contexts of East Africa, blending his personal memories with broader themes of identity, politics, and spirituality. His unique technique involves painting on Lubugo bark cloth, a traditional Ugandan material, which adds texture and symbolism to his vivid compositions.

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Baikoko at the mouth of the Mwachema River, 2016

Armitage’s signature luminous palette and enigmatic imagery often reference recent events, mythology, and the spiritual. His works are deeply layered, not only in material but in meaning, inviting viewers to contemplate the fluid boundaries between reality and imagination, the past and present. He reinterprets historical motifs, often evoking a dreamlike quality, while addressing urgent topics like violence, colonialism, and political unrest.

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Left: Baboon, 2016  Right: Holding Cell, 2021

Another key aspect of Armitage’s work is his dedication to fostering East African contemporary art. In 2020, he founded the Nairobi Contemporary Art Institute (NCAI), a nonprofit aiming to support and showcase local artists. Through exhibitions and educational initiatives, NCAI seeks to broaden the discourse surrounding East African creative practices, providing a platform for both established and emerging artists.

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The promised land, 2019

With his paintings shown in some of the most relevant museums and institutions, Michael Armitage continues to push the boundaries of contemporary painting. His ability to merge diverse artistic traditions with urgent sociopolitical themes ensures that his work remains both relevant and transformative, challenging audiences to rethink the role of art in today’s complex world.